and in the night it all comes back to haunt you, a pressure from within, just below the ribs, at the cusp of the sternum. you wonder how dark you really are, how black your soul. shouldn’t you embrace all fear then, relish in all your insecurities, find such acute pleasure in the banalities of your day-to-day? (hadn’t you even written, ‘evil is banal’?)
instead thoughts sweet and insipid. ebb and flow of murk and whimsy. something clingy and cloyingly tempting, pushing forward, pushing through. you are deathly afraid because you wonder, when will i stop thinking this way, when will the evil pass? as if it was a virus, a stomach flu, instead of the cancer that it is. this fountain of malaise with you, this well-spring.
to keep them from it, to protect them, when you really want to pass it on. to spread the wealth of the dark, to teach how to be evil because the fucking world really is this way, without code, without order, without color. all skin and wounds, all jagged mouths and smeared lips.
if we were not the clowns, then all this would be some hell of a circus.
Monthly Archives: July 2007
monster
i am a monster. i want it all, no matter the cost. i want the fury and the peace, i want the love and the hate. i want the clarity of utter self-destruction and the banality of suburban boredom. i want to be domesticated and out of control. i want to love and to beat out of anyone any love they have for me. i want the appearance of civility while digging a knife into my thigh. i want to thrash about the room and toss everything asunder. i want everything spotless, immaculate and in its place. i want nothing to change but i cannot continue with the way things are. i want a violent end, i want a slow beginning. i am monster who wants no bounds.
we run amok
we run amok in the world. we portray who we are and make portrayals of what we see. we carry them around. they are never what they are. loose and rabid, the roam, they jostle, they grow. words, scents, gestures get tacked on. who are you? you have to ask, who are you?
everything is just a shell, some inner thing hardening and softening the exterior in turn. never clear as glass, only enough to see the shape, the shade of a color. you can even point to yourself and say, “this is it, what you see is what you get.” but we have no real idea what they see. we have no fucking clue how they are looking.
maybe it’s a vying for a certain kind of attention, a certain attenuation, a common frequency where the outside meets the inside, the context fits the place, the present settles its debt with the past. maybe its the vying from all sides, the push and pull, and the accumulation of experience that dictates this has all been done before and we know better: there is only fear and disappointment, only the chasm, the gap, the distance is real, nothing else.
for the briefest moment i think i’ve tuned into her and i see something clearly. something pure.
it is, of course, still a matter of debate, after all this time, what i actually see.
you,not-you
it’s hard to imagine. like this, like something you could never have imagined. to write the impossible. it was once easy like lying. like taking the words from one set of places and putting them over here instead. making them stick. believing in the picture they make. fractured mosaic.
and they do. they do. but it’s the sticky bits that make it all confusing. that make the stomach churn. it was once so easy to write stories right out of your head about power and drugs and sex and betrayal and the insane little moments that add up to a young life.
the key is, you’re not young anymore. and to write now of a you,not-you comes off as an accusation, as cause for accusation, as cause for upheaval and betrayal. there is no question i feel more acutely now the pressure of the decisions i have made in my life. but i do not regret not one of them. i simply want to write and make shit up without fear of being read.
i can only write to wonder, wander with the you,not-you of me to where ever he goes, where ever he can still take me.
some assembly required
some assembly required of this. what you said, a doorway, your foot turning on its toes, the feel of my hand along your arm, a bulb of dried paint, an uneven blind, the biting of your lip.
some of this needs to be put together. frozen icicles sharp, dust racing the floor, my breathing, the small of your back, stuck door jamb, loose moldings, saying ‘please’ too quickly, too soon.
here is something interesting too: the idea of telling something in complete scattershot, almost kaleidoscope, the idea being that the mundane details of the room add to whatever is happening to these two people, where it looks like one of them is leaving the other and the other wants them to stay. so the ‘assembly required’ is both the narrative and them, obviously.
paper sex
the page always beckons but pushes away. Like a twat, like a pussy denying being denied. The page is like a pussy that doesn’t want to be open or folded, neither torn nor cut. but you can push on it, leaves marks across it. let it everyone know you’ve been there.
And stroking the keyboard is like her hand on your cock, sliding palm up along your balls, the fingers dancing along the tips, making words out of your dick, making your dick say things. making it difficult to understand the difference between the idea and the grammar.
the need to go about
the need to go about the grind, pushing it, like a forehead against the bars, the pipes. like rubbing rust against the knuckles. the need to make it through the grind, to make it matter, like tightening teeth.
as if there is an other side, a way through. as if there was respite. ever the quandry. he says, “wow. you obsess”
you bet your ass i do. i commit. extreme. i ponder it all around the gums, i pluck it out, i study it, run under my chin.
this is what you do to find a pace, a rhythm, a way of going about. like listening for the beat before the leg lifts from the floor, before the toe taps. it’s incredibly awkward until it’s there. and finding it again and again, like hands in dirty laundry if you can stand the stench of what you’ve worn before.
but i never go back these days, i never fix anything. like unfinished doors and torn off bits of skin. all i try to do is open things with a hammer and thrash about. i never go back.
and she says
and when she says, “c’mon, let me be your pet,” there’s a cat grin like she was perched before a canary.
she’s the dream that turns and grabs your cock and twists it tight until it can’t get any harder.
and you want to grab her, her hips, put her over, under you, turn her around smack her behind, pry open her mouth. you want to brush the hair from her lips and devour her, be devoured by her, again and again.
you want to find at what point does the grin fall away and you see something raw and broken and real. to find something worth fucking.
and this is how you build a wall
you start with lines on a page scatter shot up and down, left and right. a rough idea of rough corners and rough openings with rough measurements.
then you get the numbers, drag the tape measure across this way and that, fiddle and squint for the numbers. you jot them down, you make notes, you try to file it away in your head and redo the lines all over again. cleaner, neater, more precise.
you look up in books how doors sit in walls, what holds what. the difference between a king stud and a jack. how many cripple studs should be wedged between headers. you research what type of closet door you want, how wide. you remeasure again, try to account for the expected deficit of a 2×4 (which is really 1.5×3.5) and the thickness of sheetrock.
you’ve measured at least four times, and you still have yet to lay a single piece of wood.
you buy the wood, you lug it upstairs. 20 pieces of 2x4x8. it’s a bit of strain. but you do it knowing that it’ll sit there for a day or two before you actually do anything more.
just at the cusp, you ask around, things to consider, others that have done this sort of thing before. your father almost talks you out of it, but comes around and realizes that building a closet between the rooms is the lesser of two evils, the other being tearing down all the walls on the second floor and repartition it entirely.
and then you start. this piece against that. measuring, cutting. this piece here holds up this one. the weight travels down to here and spreads along this flat piece along the floor. you measure and cut and sometimes cut again, to shave off an eight of an inch here or there. in some places, you use a hammer to wedge one into another. every once in a while, you grab hold of a stud and shake the frame. you tighten whatever you hear is loose, you shake the frame to be sure it is sturdy.
you shake the frame until its done. you pull it this way and that, think of how your children will bump into it, push furniture against it. will it hold? can it hold?
you cut open the other side of the wall, where the other half will be shared with the younger sibling. within the opening, you prop another frame, careful not to break the wall, but wedging it, securing it all the same until the framing is done. the rest is window dressing; sheetrock, tape and spackle; sanding, priming and paint. tedious work, finishing.
but before that, you grab again one end of it and shake. you move across the room and grab another and shake again. it does not move. and while you’ve gotten to the point where it no longer moves, it still moves you.
first day at sort of school
so the little one started school the other day. not really school, a summer program, 2 days a week. mostly to prep her for the real thing come september.
we’ve been prepping her for it, mentioning it every other day or so. trying to ease her into it. and the day of i had worked the night before until early the same morning but i roused myself up and out, ready for a fight because my wife had begun back-peddling on the whole idea to begin with. tried everything, from questioning if the little one was really ready yet, the cost of the summer and subsequent pre-school in the fall, and even promising to take the little one to the park every day. and i was ready for it, schlepping up the stairs, out from the basement of my lair and there was the little one, ready, smiling, unaware of what was really going to happen.
so we get there and there are of course other parents lined up. we wait for a short while and then we go right in. we find her room and a crowd of other parents hovering at the door, their hands still brushing their children’s shoulders, keeping them near, keeping them out of the very classrooms they were supposed to go in. and at one point, the teacher welcomes one child in, and the little one kind of gets swept into it, and the teacher gently separates her from us and the little goes in thinking we’re right behind her.
but we’re not and she suddenly knows, as much as she wants to get caught up in these kids and the tables and the paper and colors of the classroom, she suddenly knows we’re not there and we’re not going to be. a stray finger finds itself at the corner of her mouth as she turns tentatively back to us, bowing her head. and we walk away because it’s for the best and we feel terrible and guilty and proud and afraid.
yet we had forgotten her snack and a change of clothes. we went for them from home and came back to the school again. the wife tried to sneak back in and almost did, she walked right past the classroom where apparently children were still crying, but she did not see the little one, did not know, even the director of the program was at the door because these children were still crying while others were not.
of course we never left at that point, never really had the intention. it was the first day, our little one’s first day. and we were parked right outside, in view of the playground in case they came out as some others did. our cell phones on the dashboard, coffee, books to read, light conversation about how the times were changing. we saw a little boy from the crying class leaving with his parents. the wife mentions she had heard there was a boy standing on top of a table, he was so upset, maybe that was him.
and two and a half hours afterwards, it was time to get her. the little one was alright, eyes a little puffy but holding her makeshift butterfly, a clothespin, some sort of fuzzy cloth wire, a scrunched up tissue with painted spots pushed up the center of the pin. she did not cry with us, she hugged us both and she wasn’t angry or sad. it was as if she had understood that there was a threshold that she had to cross here, and she did so, she wasn’t happy about it, but she did it, because she knew.
p.s. as we quizzed her about how her day was, she says, the boy was crying, he stand on the table, and they were crying, the girls, the boys, and the teacher said, don’t open the door. ‘did someone try to leave?’ and she says no and she says, again, the teacher told me not to open the door. and we ask her ‘did you try to open the door?’ and she nods her head and adds, i wanted my mommy daddy to leave with me.