“According to inscriptions describing the reforms of the Sumerian king Urukagina of Lagash (ca. 2300 BC), he is said to have abolished the former custom of polyandry in his country, on pain of the woman taking multiple husbands having her teeth bashed out with a clay tablet.”
-Wikipedia entry on Polyandry
see also this “Multiple Husbands” entry featuring a documentary on polyandry from YouTube
Transgressional fiction or transgressive fiction is a genre of literature that focuses on characters who feel confined by the norms and expectations of society and who use unusual and/or illicit ways to break free of those confines. Because they are rebelling against the basic norms of society, protagonists of transgressional fiction may seem mentally ill, anti-social and/or nihilistic.
-Wikipedia entry on Transgressional Fiction
amanda, a female polygamist and an aspiring independent filmmaker from the northwest is found dead in the lower east side of new york city. she was married to three men, all living in and around new york: harry, tom and ian, each successful men, with various qualities between them. harry is a brute, tom is controlling and jealous, ian beautiful but detached. when each husband is brought in to identify her body, the secrets of her life and the mystery of her death are revealed.
four storylines, possibly five, three of which focus on amanda & each of her husbands told in flashback, one set in the present when the body is found and another focusing entirely on amanda as a filmmaker and leading up to the night of her death. interspliced scenes, echoing sentiments and contrasts between the three separate lives and her own filmmaking. perhaps footage, told in her voice. this not a police procedural, this is not about if one or all of her husbands killed her or not (although one of them might have). possibly difference in word choice as well between the flashbacks, as if each husband is telling his own version of her story, or perhaps the opposite, 3rd person for them, first person for her, giving a certain kind of ‘artistic’ attention to detail, etc.
trying to tackle themes about art, gender, love, marriage and morality. larger question, an old one, is the artist necessarily moral/immoral? how does love inform art and vice versa? how do the complications of marriage and loyalty get thrown into question because our protagonist is a female polygamist?
Logistical issues-
-Time management (she travels to shoot her films, when does she spend time with husbands, when does she film?)
-Even if moderately successful, wouldn’t she bring one husband or another? wouldnt her friends eventually figure it out?