Category Archives: words

a wooden one will crack if you miss

1.
It all ends and begins in tears doesn’t it? Tears of joy, of sorrow. Tears seeping out of the eye duct. Tears along the placenta, the uterine wall. Tears along the aorta.
2.
And they said unto him, ‘You will be promised many things. You will live with the knowledge that you are meant for greater things. You will live under the shadow of vast accomplishments you have yet to undertake. And it will be impressive. But take heart: the moment of your arrival will never come. You will wake everyday thinking that today will be the day of your eternal greatness, but it will never come to pass. You will sense at the edge of your fingers that you could have done something great today, but you never will. You’ve been graced only with the anticipation of what could have been. It will always nag you, it will always hang at the edge of your perception. That sense of more, that sense of greatness, that sense that you too, could have been a god, if only you weren’t you…�
3.
Barely the third day and I�m already tapped out. The fear of the meta-writing, the direct “I can’t write anymore” writing. No, none of that, but it isn’t easy. This was never easy.
4.
I wanted to spill out onto the floor like sunlight in an empty house and fill rooms with warmth and memories in the corners of walls and have stars of dust kick up and shimmer and the edges of staircases soften to the touch and the glass of the panes would not stop me and the floor boards would not stop me and even the foundations would greet me.
5.
How about a her? How about her? How has she been? Alright I guess. You don’t talk anymore? Of course we do, we’re married aren’t we? Well, you�ve both been getting around… It doesn’t mean we don’t talk, just that we don’t fuck….. Ok, that didn’t really work at all.
6.
Try again, try harder. From the book, a scribble: She collects the rent. It�s become a full time job between dropping off the kids at school and picking them up. Her routes weave in and around the West Side and she’s figured out a way to always been within striking distance of the school should the dean or the headmistress need to contact her. She also keeps an aluminum bat in the car because a wooden one will crack if you miss. It’s gotten its fair share of use, scratches criss cross the length of the shaft and the blunt tip is pock marked with craters and specks of what could have been blood. She keeps it in the trunk under the blanket that covers the spare lest the kids take it by accident and she finds herself needing it on her route. At least once a week if not a day. But today she shouldn’t be needing it all, just a stroll in the park, literally.
7.
But what happens here is, I get bored. Or I can’t see it further.

and yet another life

1.
Ghosts of the past are sure to haunt me. Watching Hardwicke’s Thirteen. Who wants to ever have a girl, or children even in general.
2.
Working nights back end of the week. The days disappear, lose their names. Then longer empty days the front end. Without purpose, without direction. I used to make something of all this, I used to make things that were built and crouched up on twos, steadily rose up on four, sniffed about me, wandered off through the door, prowled away into the world.
3.
Danger from all sides of the streets, insulated ever more, where would I have ever gone without you? When did I stop going anywhere? How come I can’t stop going? Stop, stop, go further. There are times when I stop dreaming and I no longer hope when I’m awake. There are times when I dream and it’s cut short by the day. Then I twist to stretch a leg and my back goes beyond repair. I’m hurting myself to paralysis now. I barely walk like an old man. I barely walk at all. Out of dreaming and in with the pain.
4.
And here we were thinking we had come to an impasse, that all the forks in the road where folded into one another and the horizon was clear. Chasing the sun, kicking dust, long summer falls.
5.
I fell when I was nine and put a gash in my left cheek. Younger I ran down a driveway and slipped and skidded along my hand. Between then and the thing with the cheek, I was tossing souvlakia sticks and stood too close to the concession stand, there was aluminum siding, or plates of aluminum on the side, silver and slightly bent. I nearly took off my finger. At 18, just when things were beginning to settle down, we were by the library and mistaken for someone else. I got hit with a pipe along the ribs and stabbed right over my heart. I was stabbed first and then hit with the pipe. I had a coke at the pizzeria and lit a cigarette. It took a paramedic and a cop peering into the hanging bit of meat to convince me to go to the hospital.
6.
As each day passes, another possibility folds away and the crease disappears. Another ghost suddenly appears, vivid, and rushes to fade. A spark in the daylight, shimmer along the pavement in the sun. I could have been a lawyer. I could have been a poet. I could have been an FBI agent. I could have been a criminologist. I could have been a painter. I could have been a musician. I could have dreamed harder. I could have lived.
7.
It’s not to be confused with regret, but rather the bracing of one’s mortality in the face of the life one has begotten. It’s the judgement one makes of one’s life when one has decided somehow, one’s life was worth enough to bring forth yet another. And yet another.

skidding across pot holes

1.
There are many things to write, one after another. It�s hard to keep track. It�s hard to keep all the things in one place long enough to put a word to it. So then it comes down to lots of words. Like a parking lot. A lot parked of words. A lot of parked words waiting for their trunks to be opened and one thing and another fit in, one after another. Too late, too late, like a highway. Try to catch a thought at eighty miles an hour for a center spot in a lot like this.
2.
A March baby. The ides of March. Ioanna of the winds, in like a lion, out like a lamb. Will you cry and keep mommy frayed at the nerves? Daddy�s like a cut tree: rootless and felled, hard to move at the sound. I dreamt you and of you. Still not real even with my hand on your mother�s belly in the dark, every night and morning.
3.
Eighty on the way home, surreal state until someone else swerves, or the tires feel like they�re going to buckle, then it�s jagged edge and fear and more surreal than ever. Will I ever get home? Can I stop here? Or maybe here? Sunlight over the edge, shot through the eyes, skidding across pot holes, home stretch and the last cigarette of the night plumes the lungs.
4.
What will I pass down unto to you? Ted says his two sons are remarkably different already. The child is born made, not molded. Already and the oldest has only just broken four. The younger is barely two. And you can tell, even from here, you can tell. Already different, one listens the other�s unruly. One plays with you, the other finds you in the way. Barely an impression, or at the very least, it doesn�t seem that there�s been an impression yet to have been made. Already there, marked distinct, fingerprint of God.
5.
She could not measure the heartbeat, the fetus would not hold still, no markers to be made of this child. You got a wily one here.
6.
You are no longer strange to me and I find a pocket there that I would like to snug into, crook in your neck that I want to nuzzle. A little bit of beast for you that has been tamed. And I can only go on like this for so long, putting it to words before I realize the immensity of not being able to put any word to it. At any angle, the skin tone is the same: always soft, full hue, fresh and thin skinned, as if fresh skinned, rice paper, delicate but never fragile. You�re my crumbly girl, but you endure. That�s what you�ve gotten from your mother, a quality of perpetual endurance.
7.
There was a time I could bang out a page in under five minutes. It didn�t always make sense, but there was a stream, a well worn stream, but something to dip into nonetheless. It�s taken over forty-five minutes now in 2004. You�re only two months away.

dreamed a dream

i dreamed a dream of death and
desire
and i was not alone
and i was very afraid
to think the thought of her again
think the thought of holding her tight
and for it not to be the final grasp
of her
only to leave this world with the thought
of holding her tighter and not being
able to
and not feel anything at all
but the fear of dreaming dreams of death and desire

I cannot possibly be well like this

He was ecstatic with the joy of circumventing himself, or was that circumcising? What’s the difference anyway, it’s the rounding out, rounding about, severing through and lopping off, the cutting free as it were, the relief of one little less stump to worry about.
I cried often as a child, often to myself, often to the voices that comforted me and coaxed me to live one more day longer. Now I’ve gotten so used to living that the idea of death terrifies. I’m too comfortable in living, in my tidy thoughts as erratic and dismembered as they are. I’m not getting any younger and the more my youth escapes me, the more I wish to reboot the system and start over, knowing full well that it’s too late, all too late, I’m doomed on this path and there is no hope of ever living out my writing, or leading a writer’s life: peace, solitude and a little royalty check every month to cover the expense of a little house by the sea. Yeah, none of that for you boyo. You should never have gone to Bronx High School of Science to escape all those clowns who are now doctors and lawyers, never dropped out of high school because you couldn’t bear to live and all those clowns became stock brokers and scientists, never gone off to Albany (because John Jay was a good move although you fucked up there too, you got into a program that was excellent for the likes of you, that whole parallel and lateral thinking, that interdisciplinary shit you’re so keen on) and stayed for fucking five years investing in a doctoral program that was so mired in politics and pretension that by the end of it, by the time you busted your ass through the doctoral exams you couldn’t even write anymore, what good was that?
I feel a tremendous need to struggle out of this skin, rip the meat off the bones and exchange them for something else. I’ve grown fat, I am no longer lithe (I was always fat as a child, but then sprouted up and through rooftops in my teenage years; although I was no stunner then, you could see my cheekbones and the outlines of my abs), I am lethargic, suffering the beginnings of a mid-life crisis when I used to tell people I would not live past twenty.
I want a tattoo of my wife’s angelic face on my shoulder to comfort me when all the voices have left me, as they have been, one by one, over the years, leaving back alone in the darkness where they first found me, naked and churning, shivering, crawling, raking, waiting to breathe.
Mother, father please explain to me this blood in my veins, why it runs hot and cold, why I burn bridges and freeze out corners of my heart. Explain why I want to run away, not run backwards in time, but sideways and straight out of it, I want to keep my head together in death, even if that means living another life. Explain to me why there isn’t anything more than this and why this sack of meat lives so hard and true and clear like it’s all never supposed to end. Explain to me why when the world stops, I lose track of time and there’s so little time left even when there’s all the time in world? Explain to me when exactly I went mad because I cannot possibly be well like this. This is not the way I was supposed to leave the world, this is not supposed to be the life I would give my wife, my child. This is not supposed to be how things turned out in the end, especially when the end is nowhere near in sight.
Twist and twist it all around, trying to make the old sound new again. Reverb off the common sense and make the senses work to make sense of it. Everything old is new again only if you knock it out of shape.

I did not tell you of the dream

I did not tell you of the dream
Where I wept
Sleeping
Awake from the arms as you
Or the sensation it had been
Around the corner dream
The corners of my elbows raw
From having turned away from
The dreaming of a dream
Weeping, wept of having not told.
I did not tell you of the fascination
The twisting turn
Of this side into something wondrous
Unscathed but scathing
That something else having me by the hook
And little left of pretensions
To be fascinated once again when I well
Thought I was no longer fascinating for.
I did not tell you that, nor this.
There are so many things I have yet to say or tell
But that would be telling and there’s so little time for secrets
But so much time for love.

in view of labors twirling on his tongue

in view of labors twirling on his tongue, he writes, he wishes he wrote more, he wished he lived more, sometimes he wishes for a life more than this one, where he was more than this one now writing the lament of writing a little less than one liked to, for living a little less than one liked to, for wishing for more than one would have taken the time to have wished for.
And sometimes, late at night, the terror grips me again, plucks my heart and fingers its valves. It’s only thirty years ahead at worst, but she laughs and says it’ll be like tomorrow and this memory will be like yesterday and i push all the breath out to keep from breathing death in.
I cannot write anymore about not writing or the desire to write or the lamentation of what i was and am and could have been. I should only write and be writing and think nothing else but the pushing on and her and between the sheets the fucking how good it was the other night, not nrew years night where she fucking me to make me cum there at the end tracing her finger along my nuts as she leaned back on top of me and i thought how unfair and i wanted more of it, but i knew she wasn’t having anymore of it and that’s what her on, what brought her fingernails on my scrotum and i thought how terrible unfair and ludicrous and terrifying to be bringing in the new year in this way considering that it marks you for the rest of the year, but not that time, the time before, where she was on top again and leaning out over the bed suspended like a bridge between ecstasy and something else that’s tender and soft and ain’t that just grand to feel something real when you’re holding her in your arms, suspending her across the shaft and you feel her lips, not the lips she smiles at you with, but the lips that accept your manhood for all little that it is, and it was so good because let’s face it you felt that you were so good and sometimes you need just that.
There he walks into a room and see that chairs toss asunder. I had helped him through that rough patch with her when she was stealing from their mother who might or might not have been my mother or aunt as well in another lifetime but it wasn’t the right time to ask about it besides that dog just got amputated from cancer and hobbled around.
I wish for things to stick themselves in my head like in Nylund’s Signal to Noise, where people speak to each other in metaphor’s but there’s also something not quite right about that and even he author himself writes the obvious of our times: the increasing complexity and strength of our communication devices brings about greater degrees of i(n)solation. I wish to be done with endings.
He walks into a room and find the phone ringing. He answers it although he hasn’t answered a phone in a long time. There is silence on the other end, a tangible quality like a back end of a window pane.
No, no that isn’t right either, but near the end of the page and I’m rusty.

gristle

Waking up is the hardest part. Between the dream and the warmth of the sheets, there is a denial of the world outside, there is a safe place from which you do not want to crawl out of. There on box springs and mattresses. There’s hope that the life you are living is not your own, that for a brief moment, everything hangs and it hangs away from your reach.
Then something crumbles away from your eyes. Something loosens and you begin to slip, as if you were falling upward, as if the cliché was true all along: you can’t take it with you, and you suddenly shake with the small fear that this was all indeed a dream and there’s a mild horror in that, that you were falling in love with a dream and that you were safe and now you never were, now the funhouse begins all over again and you can’t do a damn thing about it.
All sleep begins with denial, that you are not in danger, that the world is quiet enough for you to close your eyes to, that you can simply turn your back on everything and not expect anything to happen. That it’ll all still be there when you’re done.
I spend so much time sleeping because what lies in my hands rots and stews and stinks up the inside of my nostrils: the tracks are well worn and the scabs have yet to heal. I haven’t touched a needle, or let a needle touch me for years, but the sores are the same nonetheless. Like yesterday. Like her hands putting the pressure on the thigh and holding the bit between her teeth.
I would see it all spread out and bend and the corners of her eyes become like snakes, like rabid rats crawling up my crotch and this gentle stroking in my head for her to bite and feed on my scrotum and we would tumble and pass out and the next thing you know awake and starving and sick of each other, sick to our stomachs crawling through living rooms out of houses, into calm morning streets to find some idiot to pay for the next hit. But I had it all together. No one had a handle on me.

air response

hollowed out
by the flight
away from you, the waiting
to return
to you, flying through gutters
the anticipation of waiting
over and over, for this to be over
to be flown over these mountains
in opposite directions
i would go around the world
vehemently returning, again and again
to your embrace, for the soft coo
that everything will be alright
everything is alright
being right with you
sets the world in the right perspective
that is sorely lacking
from this view of rocky mountain tops
and mid-sized cities sprawling
out of despair
scrawling curbside notes
in a nearby kinko’s
waiting, breathlessly
to fly home.

And

In the middle of court proceedings, he muttered.
Her attorney stopped and turned to him.
The judge looked up and said, “Excuse me?”
“Nolo…”, Nick repeated, without looking up.
His attorney whispered, “..Nick, what are you..”
The judge frowned, “Detective, this is not a criminal-”
“Whatever your honor. I’m sorry.” Nick sighed. “I just don’t want to fight this anymore…”
His attorney stood up. “Your Honor-”
“Nolo contendere, that’s it.” Nick placed a hand on his attorney’s shoulder and sat him down.
Her attorney asked, “And the conditions of the alimony-”
“Whatever she wants.”
“Nick.” his attorney pleaded.
“No.” Nick raised a palm and closed his eyes,”..no.”
The judge regarded Nick.
No one knew what to say and that was it.
***
Outside he heard her voice behind him.
“Why?”, she asked and he turned around.
Nick was ready to make a comment about the restraining order she placed on him but no one was there.
He stood there a moment and tried to remember something else about Elsa other than her voice and it hurt to do so. Nick lit a cigarette and took a deep breath. The day was breezy and warm and leaves rustled in the trees around the courthouse. It was a day for weddings, not divorces.
***
He walked out of the hearing a week ago and was standing in front of his captain. Nick’s badge and gun were on the captain’s desk. Nick couldn’t look at them.
“So..”, he said.
“Two weeks suspension.” The captain sighed and opened his desk drawer and placed first the gun, then the badge, and quietly shut it. “Think of going somewhere. The review board thought you were in the clear but the civilians felt you couldn’t just walk back on the street. You gotta remember they knew about the divorce, so that didn’t help ya any”. The captain looked at Nick. Nick seemed bored and his eyes were somewhere else. “What are ya thinking?”
Nick’s gaze fell on the captain. He replied, “I’m tired. I’m thinking that I’m tired.”
“Good”, the captain shuffled some papers around. “See you in two weeks..” He didn’t bother to stand or offer his hand.
***
2 am. Doorbell.
Nick got up, not turning on any of the lights. He picked up his Parabellum from the dresser and approached the door. Other times he awoke, couldn’t place where he was, knew he wasn’t home, he was someplace else, someplace foreign, but it would then come to him that he didn’t live at home anymore, he was living in some apartment in Rego Park. Now, however, he was fully aware of where he was from the moment he heard the doorbell.
By the door frame, gun up and hand on the knob, he asked who it was.
“NYPD..open the door”, a whisper on the other side.
Nick pushed closer to the frame, gun centered right on the door. “Prove it.”
He heard someone bend down and saw something slide from
underneath the door, black and leathery. Staying clear of the door, Nick brought what looked like a wallet towards him with his foot. Gun still on the door, he picked it up and opened it.
His badge. His ID.
He opened the door. In the hallway, a skinhead who suddenly had the barrel of Nick’s gun in his face.
“What?” the skinhead grimaced, then slowly reached in his jacket for his own ID. “Intelligence. That’s all you gonna get,” he held out the ID. “Notice? No name, just my mug, and a poor one to boot.”
Nick lowered his gun.
The skinhead came in, brushing past Nick, stopping halfway into the foyer. He turned to Nick, “Shut the door already, we got work to do.”
***
“First: forget you’re a cop. Never carry your badge or your ID or your license. They’ll get you another one. Always have a gun. If you don’t have one unregistered, they’ll get you one. If you get bagged, let it happen, but I doubt in two weeks anything will. Oh, that’s right: you’ll be underground for two weeks, the length of your suspension. After that, you can be Nick Pathos again, if you want. You got a choice. You go back again though, no one’ll know about your two weeks, even if you make a bust, which they want you for a big one, by the way. Think about it: you’ll be no one and no one will remember what you did. No clearances, no medal, no credit.” The skinhead was sitting on the couch across from the chair Nick was in. The skinhead fell quiet, eyes on Nick.
Nick put out his cigarette. “I’m in.”
***
Killshot lowered the gun.
***
Pathos was running up the staircase, two by two.
He had ten flights to go and already breathing hard.
***
Killshot, softly, “…you lied..”
She flicked her cigarette, uncrossed and recrossed her legs. “Can you blame me?”
***
Pathos made the next to last flight, his chest burning, and pushed himself even harder, three by three.
***
It was as if she hadn’t said anything.
“..you lied about the child..”
“No”, she took a drag, “I was pregnant. I had an abortion.”
Killshot took a step closer. “..I killed for no reason..”
“No”, she shook her head, “you had a job to do.”
Gun up, at her, time enough just for the cigarette to slip out of her fingertips, trigger pulled three times, upward arc. One to the stomach and brakes her almost in half, into the couch, her hips lock, calves fly up, legs off the floor, bouncing off the back of the couch; second pins her chest, bursting it, straightening her entire spine then snapping it finally in half; the third slams her forehead just over the couch, onto the wall, the wet sound of it.
Silence.
Her feet still tremble for a few seconds afterward, both shoes far and away.
***
BAMBAMMBAMM-
Pathos stopped in the hallway. The breath went out of him. Quiet, something empty in him, filling the hallway, or matching it. What would he have done anyway? He wasn’t going in there to stop it, he was running to it, to see it, to be a part of it. Pathos wanted her dead as much as Killshot, and he didn’t even know her.
***
“…why?”, Killshot said and did not move. His face does not even as he breathes. “..curious..”, he adds.
Pathos starts to feel uncomfortable having the killer here unmoving. Killshot removes his sunglasses in a very slow manner and Pathos knows that he is the first person in a very long time to see those eyes. Despite the smooth face, the eyes were very red at the edges and very dark.
Just as Pathos is about to ask again the killer’s lips move.
“you were once a ‘Happy man'”, Killshot pauses, just his lips had been moving and now suddenly, nothing.
A plane flies overhead, drowning out all sound. The two men are across from one another.
“…imagine..” the killer continues, the eyes have not blinked, “..that you were not always happy…”, the killer pauses, “…details would be telling..”, he pauses again and then resumes, “..things happen…dominoes fall and you suddenly are a ‘Happy Man’…welcome to another life, forget that you are a scarred child…gifts beneath the christmas tree..”
The killer tilts his head slightly, “..you have never been asked, ‘Why?’.”
He stops. His eyes don’t blink.
Pathos slowly draws from his cigarette, thinking how much of this is bullshit and where’s it supposed to go. Elsa pops into his mind: the first time he had seen her, in that clothing store, smiling, years ago.
“you become unalone…”, Killshot’s eyes do not blink, “you’ve become something not what you once were, what you were from…. you are a ‘Happy man’…the sun never sets and the sun always does…everything happens pleasingly…,” the killer’s eyes glaze and seem to shine, “…you learn to smile like the child in your arms…”
Pathos remembers Elsa on her piano on the night of their engagement and they were both breathing hard, laughing, sweaty. She had said, then, her feet on the keys, ‘We make beautiful music’.
“..why..is for confessions.” the killer says and the eyes blink, becoming bone dry, “..and that would be telling…finish and others end and are put away rather quickly, hurried..you are no longer a ‘Happy Man’, no longer where you were from.. all wiped away…but the white sheets stained while you slept.”
Pathos remembers the night after he had killed Estevez. He had awakened and Elsa was sitting in the far corner of the hotel room, away from him, watching him, shaking with the phone in her hand, weeping.
Killshot puts his sunglasses back on. He stands smoothly but slowly, very tired. Pathos remembers the dead open eyes of Ricky Estevez on his couch, looking at the floor.
“I’m going to have to arrest you..”, he says, weak.
Killshot stands over Pathos. “..but I know you..”
Pathos looks at the killer, exhausted. “And?”
The killer tilts his head, whispers, “..that would be telling.”
Killshot turns away.
Pathos’ Browning, the same one that had killed Estevez, right there in front of him, on the coffee table, big black ugly metal. He remembers Estevez, the look on his face, Elba screaming, ‘good god–you jus-YOU-oh god–ARE YOU MAD??!!’.
Pathos hears the killer close the door behind him, gone.