“He’s going. Soon.”
,she says this and I can no longer feel any remorse in her voice. She is stating facts, she is reading a shopping list and not so far off from being bored.
It’s all receding, even the random sensations,
-blink of eyes, taken for granted for so long, still happening but completely behind my back, eyelashes and lids no longer speak to their upper or lower counterparts, going about motions, silent and thus invisible,
-tightening of scrotum with simple shifting of thigh
-tension of the muscle atop shin as leg extends and toes point away, stretching
-tongue flattening against roof of mouth, tip first, upward, forcing saliva back, releasing tongue and throat ripples downward, so as to swallow
-holding of spinchter and gentle mumbling of bowels resisting movement, shifting
-even air entering, brushing along lips and passageways, through trachea, and wet at some point in lungs, until diaphragm, detached and foreign, squeezes, and rush of exhalation, thrusting, expanding softest parts, just edges of nostrils, and out. Breathing.
It no longer registers, despite its effort to continue. How refreshing it must’ve been to catch myself breathing when I had least expected it: the act, in itself, so selfless, without any demands on the mind, seeing chest or stomach, dependent on my position, rise and fall, so delicate, so determined,
it all fades from me, now, the sounds that once emanated from me, in me, of me internally, even the memory, thin thing that it is. It takes much concentration to think of those things. To perpetuate, at least, functions that despite good intentions, I no longer appreciate as having come full circle, completed, with enough inertia to go ’round again.
I might have already left and last synapses are convulsing, simply. That the precisely last sensory input, of her, somewhere near, speaking,
“He’s going. Soon.”
was never near, nor input, nor precise. She might have said more, but the brain, in its dying spasms, retains only those words for some odd purpose, or defect in a switchboard between left and right hemispheres: a scratched record, skipping and repeating a fragment. Of a larger context. The truth of the matter is, at this point, so far from even the waning auditory capacities, it is impossible to discern nor imagine otherwise, or likewise, in any event.
It’s all receding, drifting what have you, but for glimpses of effort, to remember how to be alive. For just a bit longer, beyond the finality, focusing on the mechanics, so little left after so long, without any pretext on approaching Death. Chances are great that there will not be an opportunity to introduce myself to Death properly, it will suddenly be in my home, without formalities, rude and polite. On this I simply can not be accurate, I will already be gone just when I thought I was still going through the motions.
No. That’s not right. Wishful thinking. I am still, and she also, a chair and desk bolted to their positions on the floor for fear of thievery, I wouldn’t mind or disagree. It’s her voice, now and before, not post-exit, or mortem, or the last smoldering.
My sight has completely blurred beyond what it was before, which was not much to note. Rain on a window, wet and dripping, now completely opaque, where all has vanished but for the numb and vague colors. When it was ‘sight’, and recognizable as such, it was useful enough to encourage honing: onion peeling, every crevice expanded and regarded, volumes of notations on the horizontals, vertices, variety of angles, and depths, interlockings of the such. I should say, if ever I had a pen at hand, or a book, there would’ve been volumes of examination. Just lines and curves and dimensions, without attention to color. I never practiced any interest in hues and brilliance or measures of the such, not in the blood, most likely, though the sight of my own blood brought on quite a stir, or alarm, depending on my mood. This is neither here nor there.
Reminiscing. Before even my eyes left me, or just at the failing of, seconds perhaps, everything else had deteriorated, or in the process of, close to finish, exhausted I believe, she was sitting at my bedside. How terrible. She concerned genuinely, how pock-marked. Just then, it all left, the seeing and sight of her, and that was immediately comforting. In hindsight, however, filled with regret. Her contortions are the last thing seen, etched in the skull as it were, an image stared at for far too long, ghostly or ghastly. Either one, but I prefer mangled, there in the darkness, nothing else to remember her by, in the last moments. I can recall other things of her: the soft part of her thighs, her sturdy back, her neck, but it hollows itself out further and empty even in the attempt. To start again, in spurts, without content beyond spontaneity. Not her on me, no. No memory of that. Rather, with me on her, the localities of a what of me that touched a what of her, the sensation of me in her. It had been slow reaching her, or actually, to convince her to reach me, I was never too far. The implication is that she was lazy and did not want, no. I can’t describe it. Nonsense, even after decades. That is safe to say, we had decades and bed sheets and flowers and coffee grinds and grips and sweat, but the beginning was difficult. Now she does not leave me, it was a habit of hers, leaving always, at the onset. Any more than that, to analyze, would be pure speculation, as it was, and nothing more of it. It is gone, or has been, from the moment I felt her insides,
-how warm and tight and unexpected, the first time, suddenly hesitant between sheets, we knew what we were doing but we were doing it to each other, quiet disbelief and laughter, bright teeth smiling
-her rump high and back at a curved angle rising, in the shower, rivulets of water down her sides, back, off her breasts, cascading, her arms bracing the wall, head back, slightly turned, her eye on me, hair dripping, my hands on her hips
-quieter times, no words spoken, solely the eyes, across the length of the kitchen table,
it all recedes in the distance, I can feel things remove themselves, and yet I am not alone, she is here. I can no longer feel her hand as it was on my own, before that also flickered out, nor see her, only the memory of her distorted features, frayed, at my side, vigilant. I am relieved for the recent change in her voice, the lack of concern over the inert quality of me lying useless. It comforts me beyond imagining. This body no longer pains me, even with catheter in the urethra and needle in my arm. So withered it was when they slid it into the vein.
The shades are dimming, one by one, the stars , like matches, I am not alone
Walls shrinking or melting, I am not alone even as the world becomes soundless
all anchors have been raised
not even her voice not even an echo
i am not alone at least i am not alone i am not alone i am not alone
i am-
Category Archives: words
entry
head heavy
eyes anxious,
jitter
burn in joints,
thirsty
skin tone
sticky
wishing
to be something else
irritated
by the sunrise
wondering
how to be
the sound of a voice
that (one) hears
with ankles crossed
and hunched
by the pressured elbow edge
and the meaty palms,
on table
sweat in finger
/crevices
writing
naming ethereal thoughts
to fit words
interesting theory amongst this,
writing another day.
could almost
“Come with me, take my hand”, he said
arms outstretched, eyes alive.
“I’m scared, I’ve seen this all before.”
she shook her head, but was in awe,
“Forever is a lie and promises myths.”
he kneeled before her
sun on his lips, valleys in his heart
touched the ends of her hair
feeling as if this breath, was his first
He could almost
“No not this, this is old, yet new,
I was one, but now two,
I’ve seen what lies on the other side
It’s been too long, don’t hide.”
Taking him in her arms gently,
a hand wrapped around his neck
ever cautious, afraid the touch
might be real should she cross into the light
afraid that she’ll, one day, drop again.
He could almost
“No not this, this is old, yet new,
I was one, but now two,
I’ve seen what lies on the other side
It’s been too long, don’t hide.”
So with silence they dance
movements careful, hesitant,
eyes closed, unsure, they know
somehow with each step, a tear dries.
A spin, a dip, a giggle, a brush of lips.
They could rewrite the world,
if only they’d let go.
He could almost
A pause and frightened
he looks and sees and knows
“This, look to see, is what it means to me.”
And she forces herself to open eyes
that have been too bruised to see.
She notices time has passed,
line have been laid hard onto his face
but he turns her to view castles,
blue nights and shores side by side.
She can feel the sun’s warmth on her
and for once, she can breathe.
She clasps his hand tightly,
“How long, for how long were we lost
inbetween broken dreams
living in fogs and past lies
running in circles, to find a beginning?”
Hand on her cheek, he replies,
“Too long, long enough, not long at all,
Here is where we begin, we have this
and today and maybe tomorrow.”
Smiling, laughing, arms wrapped around him
resting her lips on his neck, she whispers,
“Always tomorrow and our lives.
Come with me, take my hand for,
for this was old, now new.
We’re one, us two.
You promised me the other side,
let’s go in, let’s not hide.”
He could almost.
hidden
torn burned
under a moon. lifeless
hopeless
the eye.
you
almost whole inside
the sleeve. (tried to hold
ashes
of yourself) don’t
voice up
your hand. snug
blade
carved out
of
the stain. quite
out of mind waiting
again.
can I?
can I make
moonlit candle music
by melting shadows
in you?
the feel of my hands
along your eye.
you run a lost slip
of cloth
to my lips slowly.
above the silk
painting,
across and within you,
I held my fingers tight
withdrawing your hand
from my chest,
I can taste
the faint imagination
of release.
so vivid
to smile like you
saying my name.
can I make you?
around the corner
I had a dream where it was every-thing-warm
and she held me, her eyes were bubbling-tender-soft
and she was holding me, I was tremendously-quiet-unspeakable
as I always am in dreams. she looked I’ve-hurt-you-so-much sad,
but she told me that she loved me.
she then pulled me closer, tighter, forever,
tightly I was startled-hearing-exhausted-awake-and-in-tears
because I could not remember who she was.
another
I can see him
with her strolling
(a kiss underneath
the ‘don’t walk’ sign).
the night is cloudy
the drizzle cool.
I can see them
driving around
(touch of the hands
at the red light).
the highway clear
the ride smooth.
I can see the two
arguing, shouting
(a forgiving hug given
in a place called home).
the room is empty
the tears dry.
I can see them
dream of gowns
(smiling to and for
each other in the restaurant).
the coffee is cold
the table small.
I can see all this
the colors the scenes
feelings held within his eyes
(but I am with her).
the night is clear
the ride smooth.
advice
there is a little man
in my mouth and he’s saying,
“hey little girl
get the fuck out of this
little boy’s face;
he’s seen too much
of little girls like you lyin’
to keep themselves drinkin’
in a bar like this.”
the girl cries
and the little man scorns,
“cut the crododile tears, will ya?”
there’s a woman next to me
saying, while drinking scotch,
“tape that mouth of yours.
your little man is supposed to
get you in trouble
like getting a chick
knocked up, or fucked up,
or get you cheating on your wife
(you probably have one,
or you wouldn’t be in a bar
to avoid her)
but that’s the little man
that’s supposed to get bigger
in your pants
when you see a little T & A,
not him”,
she pointed a finger
at my gums.
the little man
blew a fart on it.
“listen cunt-”
,the little man said,
“-a man’s gots to do
what a man’s got to do
and screwin’ bitches like you
is not what he’s-”
,he grabbed my bottom lip,
” -gonna be doin’.
you see, this boy here
he’s got promise and hope
and a college education
plus a career to boot
somethin’ you losers
know nothin’ about.
he is kind of stupid,
still wet behind the ears
endin’ up in places
like this, can’t help it, he’s a man
with all sorts of crazy ideas
and some maturin’ yet to do-”
,and he stood at the edge
of my teeth and screamed,
“so get the fuck out of here
you sad gold diggin’
model posin’ tired ass
good for nothin’ but a smile
and a fuck for the experience
of some unknown as-of-yet S T D
visit at the clinic.
take that face of yours
that’s been lifted
one-too-many-times
outta here
with the rest
of your sleazy self.”
the woman threw her drink
in my face and left
as the little man in my mouth laughed
and then,
after a few minutes
,burped.
am
raining a place,
into an empty
being unfulfilled
perhaps unrealized
this yawning of a somewhat
or
would I be
without my anger?
flowing into certainty
of whims
like violins dressing up
frustration.
rust scabbed windowpanes.
the unseen
rinse does unclean
,not seethe, the pointing out
of dust.
stop, go
rig-a-moral, pony
tell a story, is it gory
or a skirt?
flirt amongst the dirt.
don’t accept rides
from brides
of bribes,
is that a cradle
does it come in my size?
a fingerprint
on the mirror once told me
who I was.
all in twenty four
to start with her, because it had started with her. She had spread her legs at a point I’ll never remember and somebody must have PUSH! And out I came (and isn’t that strange that we never remember, blessed to never remember, that, but keep track of the day as the years go by)
to start with her because I did. This, this book did not start with her, but I’ll get to that at some point, maybe, maybe not, depending if I have much of other things to say, but I doubt that will happen, I will get to that because you’ll need a reason for all this, an explanation for these words, these inks stains that are never going to be seen as simply stains, but as ‘words’, as ‘never going to be seen as ink stains’ (and there’s something fascinating to all that, to the idea of writing on paper, drawing lines that mean much less than what the writer writes and much more, as in, other than what the writer intended)
to start with her and I write of things other than her
to star with her and the things that brought me to her, her to here, here to the life that had happened upon her. But the words: ‘life happened upon her.’ Listen to that, another digression from the start. Life happens upon us. We, in being born, did not ask of it. People, such as parents, are accidents. Nothing in life is ever planned out. One can say, ‘I will go out and do the laundry today’ and go out and very well do the laundry. One can then turn and say, ‘am I not now a prophet?,’ smirking. Yes and no: you did what you wanted but you did not expect for there to have been so few people at the laundromat; you did not expect to be caught staring at someone’s underwear by an eight year old girl; you did not expect for you to have lost a sock, or for the day to be sunny when the forecast was for rain. The fact that a car heeded the traffic light and did not mow you down while you were crossing the street; the fact that you are still living and breathing is a culmination of random events. You think you have control over your life and, to a very limited extent, you do. However, one never knows what people they will meet today, even if they’ve seen the same people for years. Point being: suddenly, every time, anytime, all the time, ‘suddenly you are alive and breathing and you have nothing to with it.’
to start with her, and it is very difficult after the initial push to continue. The idea fades or becomes something else until the motivation changes also. It had started as: ‘To start with her…’ and it is now: ‘My throat is dry. The phone has not rung. I am waiting. I am thinking ‘someone else has not called’, and I wonder if anything had happened. I am waiting for someone who is not the her of the moment, or the her that I began with, but an other her someone else entirely who, when I pay attention to, receives much of my attention. This other ‘her’ who we’ll get to at some later point other than this page.’ And, of course, it is much more than that. Lost in the translation, so to speak and so, to ‘speak’, much of the translation has to be lost or I wouldn’t be speaking, I’d be thinking, and I’ve done enough of that, for now. Now I cannot simply ‘think’, I don’t have much time, I need to think and write, that’s the point of this: to see how much will I think to write and what I write of my thinking. I don’t have much time to just think anymore than Life at its end
to start with her, that brought about me, that brought me up. That, the latter, I know, or most of, from about age 2, everything before is retelling, from her and a smattering of others, it is not much, not chronological I don’t think she has even tried to place it in some proper order, or maybe she does not want to speak of it, or maybe it’s left and a little sorrow rest in her mind for that blurry thing that was once the memory of her childhood. I think it’s a combination of it all, I could be very wrong. There are a limited amount of truths that one will get when one asks questions of another. There is only so far that another will let one prod. There is a border that defines another’s sanctuary, a place that nothing in the real world is allowed to trespass, a line that, once past it, even her son is held as a stranger.
and to start with what I know and don’t know; to piece the little I have and to start with her, by filling in the spaces around her, of what she had come into, of what was around her, and eventually, brought her here, to get here eventually; the here and now because I know more of that, of the her and now (But when one reads a novel, let’s say a mystery, with a number of pages missing in and in-between the beginning, can one ever understand where and what exactly is going on in the novel’ Can one actually see the ‘whole painting’ when it is not presented in its totality’ Is it the same painting’ Is the outcome and all the loose threads tied up just as neatly when one has not had all the facts’ But there is the limit of what can be asked, a point where one must understand and accept what one is given only, and to interpret as best as one could and to move on from there; to accept and discard; to, somehow, face incompleteness and, not fill the holes, but to move through and reach and forget)
she had started in a shack and born, literally, onto the earth, for there were no floors. Where she was born was in a shack and onto the earth, her mother giving birth without painkillers or delivery rooms or doctors or nurses; without any release except to give birth, to release the seventh child from her womb. To pause, to side step, to regard ‘the seventh child’: there were six previous others, five of which survived; four boys, two live to this day, and the rest were girls; three others came after the seventh, three more births, one of which was stillborn; the first birth to die was a set of male twins, that starved, or were strangled, depending or your point of view, from lack of their mother’s milk. It sounds harsh, almost inhumane to even consider such a possibility in this day and age, but this is not then. Then was a shack that a man and woman put together with their bare hands, where electricity was seen only at night, in the clouds of storms, where all their children were born in this shack, for there was no way to reach a doctor (he was in another village and that’s what doctors did: traveled within a particular ‘state’, for lack of a better word) and so, also, the majority of times without medical supervision and in the beginning, with a mid-wife until the mother could do it on her own, onto the earthen floor, in sunlight or candlelight, with, as the first born got older, one of the siblings running to the creek to fetch water (most probably; these things are imagined, assumed, filling gaps, for there was no running water, before they even had a pump, there was only the creek, five minutes away running time) and another cry, another baby.
this is mostly snippets, this starting, this moving in time back to proceed forth from now, to here. This not of her memory, it is what is left of mine from what she has told me. To break the sequence of the beginning and to have my own memory before: there, going home from somewhere, I do not remember, it does not matter