Category Archives: words

do that for me

A crack in the ceiling and you had the TV on and you said something but I was leaning on the wall and you wouldn’t look at me and I said, “look at you,” and you whispered, “Look at me when I’m talking to you.”

And I said, I said, “can I come to bed?” And you said, “Why come on your bed?”

And I said, “that’s pretty funny,” and you said, “I want to feel pretty. Can you do that for me? Can you make me feel pretty?”

And I said, “right now I don’t know what to feel,” and you said, “that’s okay, I don’t know what I feel for you either.”

Suddenly, “an old woman told me, what a pretty little thing you are,” you said to me, “what a pretty little thing you are and I wanted to die right there and turn all green. What a crock of shit,” you said to me, “what a crock of shit to throw on someone, y’know? Who wants to be a pretty little thing? Who wants to be bright curls and pink bows and wet puppies?”

You said to me, “I want to be a big beautiful EVERYthing,” and you threw your arms around the bed.

From the foot of the bed standing, “what a pretty little thing you are,” I said.

corpse

He stands at the doorway looking at her. He has been staring at her sleeping. He thinks, I am a corpse fascinated with this beautiful thing that is sleeping. She is naked underneath the sheets and he sees this also because he is the one that undressed her, even though the beige bed sheet covers the lower half of her back. For the first half hour after he awoke, he remembered the night with her, the things they had done, now he is simply studying the curve of her shoulders, the way the wrinkles of the sheet wrap around the rise of her bottom. His eyes often linger at her mouth; the lips open on the pillow, the bangs of her black hair fall over her eyes and jaw. Both of her arms are underneath the pillow, holding it tenderly, as if she was still clinging onto his face, as she done so the night before.
He thinks, I am a corps-
The alarm clock goes off and he springs from the doorway, dropping to the floor, his shoulder grazing the dresser on his left, stabbing into the room. On his knees he clicks the off button, less than a foot away from her. He does not move. The suddenness of his actions and the shriek of the alarm have not disturbed her. His heart is racing and he does not know why, it is not because he rushed to the alarm. A part of him answers: it was your rushing to her, and that is something he is quelling before it has a chance to mangle the peaceful moment he has with her, while she sleeps. Even this rationale disturbs him and he cannot move away, not even his eyes. Not even once does he wonder if he deserves anything, any of this, and he feels guilty for being aware of the fact that he does not question the appropriateness of her in his bed. He merely remains kneeling alongside the bed, breathing, trying to settle it, create some sort of rhythm that will get him on his feet, out of the room, away from her.
Slowly, he reaches out and gently places his fingers on the fold of her arm. A sad strength fills him at the touch of her, he pulls his hand away and he pushes himself up off the floor, turning his back on her as he has done countless of times before.
______
When she awakes, she rubs her eyes and stretches. She pauses, he is not with her in bed, he is not even in the room. She turns and sits up, looking around the room slowly, straining to hear something, anything, that will tell her she is not alone. After a minute, she works her way out of the bed, touching the floor with her feet lightly, bracing herself for the crisp cold of the wood, then gets up. She picks up his robe up from the floor and covers herself in it, not slipping her arms into the sleeves, careful of the dark brown dresser near the side of the bed. It is then that she notices the index card taped onto the mirror atop the same dresser, centered. She reaches out and touches it, her fingers pressed on the edges. On it he has written that be has gone out ‘strolling’ and that he will be back soon.
Pulling the robe tighter around herself, the room is not cold enough for her to do that, she walks out into the carpeted hallway. Just as she passes the bathroom, she smells something. She cautiously moves through the length of the hallway, crouching somewhat head first, her hand palm open along the wall, mapping ahead of her. Before she enters the living room, she peers into it first, on her right, empty, blue blinds closed, then glances left, into the kitchen.
It is eleven in the morning but the curtains are drawn. He is just setting two plates of omelettes, his cigarette burning in an ashtray by the sink. Like a child just caught in the act, he looks up at her, smiles.
“good morning”, he puts the dishes down.
She loosens her grip on the robe. “yes” she says, “yes, it is.”
_______
After he takes her home, he drives. He drives aimlessly onto one parkway then another, not quite understanding his direction. He needs this, this emptying out, this wandering at high speeds, it is something that he has does often enough for him to keep doing and slide into comfortably. Surprisingly, he does not think that he thinks too much when he is driving. Words drift through his head as does the scenery; approaching, arriving, fleeting, gone without regret or feeling, objects on the roadside merely to be seen while passing through. He winds in out of counties, east then west, turning south, then westward again, until he finds himself back where he started, not too far from her home. This is familiar territory despite her, or rather, before her, it is old haunting ground for him. The idea that he might wander here again and to have to be scorched by the memory of her,-her having left him at some point in time (some time soon, he thinks)- hurts him more than whatever scars she will leave on him. Nowhere provides him with enough comfort, but knowing streets, particular alleyways, bars, having a sense of place, is the closest any one place can provide for him, and to have the scent, of her, mingle with street lights, or a certain curve in the road, would be adding salt to a wound. Not only would his mind constantly remind him of failure, but structures outside of it, cement, tar, glass, and doors, as well.
He turns onto a main roadway, westward, and decides to go into the city. There isn’t much traffic on the bridge except for the end of it, where it opens onto Second Avenue. He snakes through taxis and trucks, shifting from second to third gear, then down to second, ebb and flow, heading downtown. Although it is cold, the sun is bright. When he reaches the part of the city called the Village, he looks for parking, finding a space with a broken meter. Not too far from 8th and 3rd, he walks into a bodega and picks up a pack of cigarettes, salsa playing from behind the bulletproof glass. The bodega smells of roach spray, and like many other ‘one-stop’ stores, its shelves are packed with many, many things, crowded.
Out on the street, He crosses Third Avenue, against the light, dodging traffic. At Broadway, he stops into a coffee shop, finds a both, sits and takes out a pen, a journal, and one of the books he is currently reading.
The waiter approaches the table, young, fat and familiar.
He smiles and the waiter is struck by some vague memory of the face seated before him. The waiter holds the checkbook to his forehead in disbelief and says, “oh shit.”
The two talk about what has happened in the six years since they last saw one another. It turns out that the waiter also works as an electrician, owns a stand on the boardwalk in the Hamptons, and is waiting for the summer to sell it, so that he can open another in Rockaway.
“So what have you been up to?” the waiter asks, leaning on the plastic divider between booths and the table, nearly over him. He doesn’t have much too say, “work and writing”, and he leaves it at that. He is not prone to tell anyone anything, especially someone who he does not believe is doing all the things that the waiter is supposedly doing, the waiter not being older than twenty three. The waiter’s story doesn’t sit well in his head, but he forgives him, he understand the stories that need to be told in order to make sense of out whatever situation one finds themselves in. He himself has said things, finding himself telling lies actually, more than once, almost against his will, but at the same time, eased by what came out of his mouth, that what he was saying was possible, maybe, a ‘one day’ wishful thinking, a placing of goals ahead of him so that he just might reach for by this telling.
The waiter notices he has other tables and asks what would his old friend like.
“just coffee, and keep it filled, eh?” he replies and winks, feeling stupid doing so, but the waiter nods his head, perhaps pleased that someone from his past finally believes him, turns away, bringing a steaming cup a minute later.
He opens first the book, then the journal, pen ready in one hand. Whenever he reads, he quotes passages, sentences, anything that strikes him as interesting, true, a gem of a line. After he is done with either reading the book or filling up the journal, he will reread what he has written in the journal, what caught his eye. He can’t ever quite get over what he has copied, all of the passages would be priceless in his eyes, each dances with wonder in his mind, what brilliance to be able to capture this in words. He has few dreams, but each is intense, sharp hopes, and this is one of them, to be able to speak like those he has quoted in his journals, to pierce and open with letters and phonetic sound. He reads and, at times, writes, entranced with what rests dead on a page before his eyes.
_______
On his way home, coasting over the bridge, a song comes over the radio, there is little traffic. He finds himself staring at some point in the distance, not that particular thing, somewhere else, so it doesn’t matter. He hears the lyrics and his eyes become watery as he whispers them,
“..and I won’t be raped, I won’t be scarred like that..”
,feeling just the edge of it inside, chill on the surface of his skin, but he doesn’t get where he needs to go, pushing to it, pulling away from it, he remains just close to it, but not there, not close enough. The song ends and he wipes his eyes just before he downshifts into a tight turn, the buildings frozen, bright, and sharp, at the end of the bridge.
_______
At home, he makes a number of phone calls, none of them to her, even though he craves her voice, her skin more so. He doesn’t want to simply talk to her, he wants her here with him, not to have sex, to just lie with her, feel her beside him, to believe in her, but it’s too soon for that. It’s too soon to believe that there is anything beyond the night and morning that they spent together. He lifts the receiver of his phone, flipping through his phone book, dialing.
One friend, from the moment she answers, the sound her voice, alarms him. He asks “what’s wrong?”, urgent.
She replies, half-convincingly, caught off guard, “..Nothing..what do you mean?”
He insists, there is a rough quality to her voice, too weary and exhausted, vulnerable, brittle, which is unlike her. His friend is one who speaks and laughs earnestly and brazenly and is not afraid of being heard. “tell me what happened”, he says blindly, not knowing at all if anything has indeed gone wrong, just going on a difference in treble or pitch which may or may not be there.
Her voice drops to a whisper, hesitant.
“tell me.”, slowly, softly, he did not want her to hang up.
She begins.
What he hears does not make him uneasy, he is only listening. When she says, “I can’t believe I’m telling you any of this..”, he prompts her with “go on.” She feels torn between her commitment to her mother, who is an invalid, and her brother who is repeatedly breaking in to the home, turning all the closets upside down, looking for hidden stashes of money. “I swear to God, he looks like a madman when you tell him to get out..You know what he did last night? Motherfucker put a gun to my mother’s head, his own mother!”
Her older sister has moved to South Carolina and refuses to take their mother there, “..she says that she just doesn’t have the space for her..” Her younger sister went away to college and did not plan on ever coming back.
After all this, she pauses, he can hear her gasp, frightened by something that just crossed her mind.
He asks, “what was it?”
With much struggle to get the words out, stopping, shocked by the very words she’s choosing, she asks him, her voice rushing because of the audacity of it, “..is it normal to dream of killing him over and over?”
He tells her slowly, “..yes”, and for her to get out of where she lives now, to put her mother into a nursing home, until she too, can move. He explains to her that in the position she is in now, she can’t do anything, and that he understands why she will not involve the police, no matter what, family is always family. “..there’s a fine line between dreaming and doing,” he says, but she has been sleeping less and less.
She interrupts herself, while replying, “..believe me, I’m not the type of person who talks about..”, and he knows why she feels that way, he knows that she doesn’t consider him the most stable of people. This fact does not bother him -he agrees with her- but her current situation concerns him more. He knows the rage she feels is one that will not end up in homicide, it is self consuming. He is very afraid that six months from now, she might try to kill herself. “..I want so desperately to go to sleep, I don’t know why, I just want to go sleep..!” After a moment, she says she will think about he has said, then thanks him, apologizing, not as on edge, and he tells her that it’s alright, it’s okay, anytime, then hangs up.
Other people that he calls either no longer have the same number, or are not home. Many of those people are people who he has not seen in months, even years; people that he will not see again. He is not calling to see them, even if he misses them desperately, without reason. The reason why he calls them is to hear their voices again, just their voices, which he has not heard for quite some time. He doesn’t want to talk, he wants to listen. When he has gotten in touch with an ex-lover, he also reminisces; he can the feel the echoes of their touch again, their way of laughing, speaking, the shape of their hair. At those times he wants to ask them why they no longer remember him in the same way that he does, he wants to ask if they miss him at all. The distance of time beguiles him, he never quite understands it, but he never asks those questions, no matter what their answers might or might not be. He might not understand time, but he understands that something, that thing that once pushed their lips onto his, is gone, and they do not think of it as missing. The burden of memory is not one he is willing to share with people that have gotten on with their lives. He still longs to reach them, to touch the part of them that drew him, to cradle it for himself, knowing how selfish that wish is, calling them from time to time.
Still agitated from the conversation with his friend, he feels restless, and probably so because he has fed off of her, tuned in on her restlessness, her desire to leave and turn away from those that bind her. He wants to tear into the streets and run fast enough to rip the muscles from underneath his skin and become someone else, to run into someone else, into another life, to break this one. This is, and isn’t, his despair. This time, however, he has been pulled to it through his friend. He has, at one time, on his own, gone so far as to introduce himself as someone other than himself. Stalking through his apartment, into the kitchen and out, swinging by the living room, into the hallway, stopping at his room, half entering the bathroom, swivel out, circling back, nervous, angry, knowing better than to step out the door.
The phone rings and he is immediately cut off from the drive that pushes him around the apartment, almost against the walls. Calls are surprises, welcomed uninvited guests no matter their occasion, good or bad. Every phone call is a Christmas gift wrapped in bells, and whether the present inside is either a size too small or a flat out disappointment, it is the unwrapping, the lifting of the receiver, the discovery of a mystery solely meant for him, that pulls him to answer before the second ring.
“hello?”
“hi…”
He cannot explain the sudden urge to be with her, no matter what, ravenous, hungry, an explosion of need.
“hello…” he says again, raw.
“I felt you wanted me to call..”, gentle, knowing.
“what are you doing?”
“talking to you.” she points out, playful.
“that isn’t enough.” quick, almost harsh.
“so what are you waiting for?”
“half hour-”
“twenty minutes.”
He hangs up, quickened by the sound of her.
_______
She hangs up the phone, her living room dark, lamp lowered to half light. Her hand remains on the receiver for a moment, her eyes lingering, distant. Uncurling herself up from the white couch, she walks to the French doors of her apartment, wide and clean, where she could see all three bridges leading out of the city and a majority of its skyscrapers. The night is clear and deep dark blue, pinpoints of yellow and red lights, still and moving, tremendous faraway block shaped castles, checkerboard-like windows off and lit. She turns away from the window and paces around the room slowly, folding her arms across her chest, head bent, thoughtful. She takes five steps before brightening, reanimated, biting her bottom lip, she spins and makes her way toward the wet bar. Behind it, she kneels before one of the lower cabinets, opening it, sticking one hand while the other holds the door, shifting through wrapped plastic cups and forks, crinkling, ducking to get a better view in the dim light, excited, her brows furrowed, squinting.
When she gets a hold of what she was looking for, she feels ridiculous, like a little girl sneaking a kiss to the boy next door behind her parent?s backs.
He finds parking about a block away from her apartment. Hastily, he crosses the street, snaking his way between traffic. When he gets to her apartment…

memory

[and you write “things” because you have no idea what they are or their consistency, whether they are patterns or memories or active synapses, whatever they are, they’re wound up in tight and taut muscles, somewhere in your mind, a bundle of nerves, wires, just above the medulla, atop the spine. Within this, that “thing”, that trembles.]
[It’s a matter of discourse and detachment; of coming and going and returning to where “she” is no longer.]
[This thing that haunts with one face, your face; “she” has melted into everything you remind yourself of, even though it is hardly ever just “her”; The parts that were never “her”, but there is no one here, besides yourself, and the trembling, to note “otherwise”, in the sparse margin you left “her” in.]
[Even in “her”, you struggle with what you wish to remember solely. It is, perhaps, a cowardly act to believe when something is no longer there, that “she” was that one thing to need, to have here always.]
[In the magical moment of fascination, it is all possible, all can in deed be answered. At the precise moment of disbelief comes “belief”, fashioned by the shape of “her” unrecognizable before you and you ignore the monstrosity of it. Of course it is not too large. Of course “she” is all you ever wanted, every time you have met “her”.]
[Every thought is just a half thought, not a half consideration, or half important, but because each is extremely so, you are here to begin with, and these are more than thoughts.]
[You wonder briefly, if these places are shared, if “she” walk into this or that particular memory and can, even more so, remember the things that you see there, or, if “she” didn’t walk, or remember, would it still be the same room?]
[It is only a matter of time, as always, that the walls of “her” room, compress themselves into the one remaining corner, similar to an escape hatch, that “she” breathes out and through all that you denied of “her”. You peer into this corner and wonder if “she” can so easily strain through, what of the memory of “her”? There is nothing here to hold this with, save perhaps your teeth, and this.]
[You remember because some thing is short of time, short of breath, you believe it to be your body, it is not quite clear.]
[And when memory and the memory of a dream become interchangeable, when nothing is clear and all permeable, the distinctions you make of “her” can not be trusted to be of “her” exactly. For exactly this reason is the membrane thin, you’ve worn “her” to the point where “she” has lost distinction.]
[In your head you’re in a place that you do not want to be in but that is relatively the safest place. Looking at her brings so very a point to everywhere else. Not that you do not feel pain here.]
[At this point you stumble to just one thing, always when you have just nothing to say, when you’ve said all that had to be said except for this, this “thing”, that trembles.]

speaking

I am speaking.
you are speaking.
am I speaking?
you are.
what will I say?
something by saying.
are you listening?
you are speaking.
and if I don’t?
you already did.
what have I said?
that you are speaking.

exursion

At a quarter to seven, everything was fine. He awoke a little earlier than usual and it bothered him, him being never to sleep later or awake earlier. He was one of routine and it pleased him to have Life this way, in succinct patterns and pace. But today he awoke earlier, a quarter to seven, and those fifteen minutes changed his perception of everything, even though everything was fine. His uniform looked odd and he was hesitant to even put it on for fear it would no longer fit him. It did though a part of him was reluctant to admit that, and thus his movements for the rest of the morning would be of one who wore ill-fitting clothes.
At eight, he started to prepare tea and heard Lady Blake call downstairs for him, which was odd. Lady Blake would not breathe a word to him until her first sip of tea. He walked up to the second floor of the house, a modest brownstone on outer appearances. Suddenly, however, the antiques seemed to him insultingly gaudy in contrast to its exterior. By the time he reached Lady Blake’s bedroom, his mouth was sour.
“James,” she sighed with a smile that he now regarded as inappropriate on her lips. Lady Blake was a woman of correct posture and polite manner, a woman of wealth and an example of dignity, a direct reflection of her husband, Lord Blake; a man whose name was spoken with admiration and fear. Almost wanton beneath the mauve sheets, she appeared very lavish for her sixty years. Her breast became beyond noticeable, desirous, heavy and full, even though James never had developed a taste for the such. He had always regarded legs as a woman’s most precious characteristic. There was Lady Blake now with legs that had never known ‘tone’ and James’ eyes dwelling on her pouted lips, with a sag in her neck that surgeries could no longer hide, down to the cleavage that was a deep, dark line outward pointing to him.
“James…” she whispered and he realized that this was the second time she said his name in such a way, in a manner that sent a tingling in his trousers. “..james..come and fuck me.”
It was at this point, in this reeling and replaying of her exact words, that James finally noticed that Lady Blake was naked underneath the sheets and he became panicked. A man of eighty years, as such was James, in the service of one of Manhattan’s oldest families, finding himself proposed in such a way.
“Go ahead man,” said Lord Blake as he emerged from the bathroom, naked and quite comfortable with being so, towel drying his legs, bent over and exerting. “Give the old hen a good lay.”
Aghast, James backed out of the room, muttering, “..tea.”
He turned from the doorway hurriedly, very swift and urgent for his arthritic bones, across the hallway, down the staircase, finding it, with each step, all the more skewed. At the bottom, a serene calm came over him and for intent and purposes, he would reflect on it as “wild”. Lord Blake’s journal was within view on his desk in the den and James found himself pulled towards it. He had not remembered leaving the door ajar and this fact did not strike him as odd, not even the flow of thoughts that rambled in his head. It was an old journal, actually one made to look old, binded pages of parchment and a cloth cover. He did not bother to read any of the entries but he turned to the last. Unzipping his trousers and giving no thought to it for he had felt violated, he masturbated onto the parchment for later generations to regard or perhaps quote from. Upon reflection he would remark that never had he had such a virile and potent erection, one that could’ve spawned all the children he had ever wanted to have.
He was then aware of the kettle whistling and he wiped his hand on the remaining pages of the journal, disregarding it as he finally reached the kitchen. Suddenly he found himself staring at the boiling water, bubbling and breaking the surface of itself, rumbling actually and he walked out, determined to never be himself again. Everyone would later wonder what ever happened to their tea.
James, months later, was sighted at Washington Square park, sketching madly portraits that many a customer had refused to pay for, more often than not. One could say the portraits themselves
were beyond abstract.
“In art, there are no mistakes!”, he would say defiantly. Eventually many dismissed him as a crackpot and he had resigned himself to the fact, which of course was non-sequitur, that no one breath was his breath, but that any breath was one that some one had drawn before and discarded, all already used. From that point on he drew with such whimsical severity as to suggest some thing other than the page, abandoning portraits. He slept at irregular intervals, for days on end he would sketch, on others sleep. James never paid any attention to the weather, as if he was beyond any bodily comforts such as warmth, this being past New Year’s, except for when it would snow or rain, and he’d remain seated and perplexed in front on the page, watching the lines smear. Neither one of the Blakes had ever searched out for him.
And thus, routine had again emerged for James. The routine of the unexpected of whatever image he would try to grasp with knife sharpened pencil…
Until a thirty year old once-was-a-model, long legged, stood behind him, watchful. After a few minutes, she whispered into his ear, “I love the attractive quality the lines of non-sense make.”
James stopped and looked at her, a tingle in his beaten trousers again, albeit not as strong as in Master Blake’s den. From there on is another story and this one is done.

solitude

It was unnoticeable at first, no, maybe an irritation about his comings and goings and one line replies. All had taken it as inconsideration, but nothing that he wouldn’t grow out of. Actually, he spent a lot of time at home, in his room, writing, reading or typing, with music or without, there was no set pattern except that he spent a lot of time within those four walls. When he would go out, he had the stride of one going for a pack of cigarettes and his parents didn’t think anything of it, until they would hear the jangle of car keys at the door.
“Where are you going?”
“Out” and he would close the door behind him without another word, locking it.
They talked with friends and found this behavior typical of adolescents, but for him, it continued past that age, more and more often his response became just the door closing, nothing else. A bitter fight had ensued, him not showing any remorse, but an agreement was struck and he adjusted. He started to tell them exactly where he was going and went, without any sort of concern for whatever plans they might have made. When this complaint was voiced, his reply was, “Well, let me know in advance..” and that seemed fair enough. Soon though, he was already gone before they would come home, returning earlier than the original late night outings, but they would be asleep. How hurt they felt to wake early mornings to find him asleep, only to return after work and find the scant evidence of him having prepared to go out and be gone. They had thought foul peer pressure was afoot and to their chagrin, after a number of phone calls made by his mother, his friends related the same “distancing”, as his closest friend had put it.
To be exact: “He said less and less until he would just sit there. Eventually I got the feeling that he wasn’t even listening. Sometimes he’d show up for a drink but the number of times he stood me up past the times he didn’t, and by then, he never showed again. I haven’t heard from him since. It’s like he was distancing himself from me, like he was weaning me off him.”
One night, fed up and angry with their home being treated like it was some hotel, and yet also worried, his mother had waited up for him. He arrived a little past one and immediately she was relieved, almost forgetting the business at hand. At one time he used to come home just past daybreak.
He walked slowly past the living room, never looking behind him, passing her unnoticed. She called out his name and he didn’t pause, he kept heading towards his room, holding his head and choking out a mutter, “..goodnight.”
Somehow they had to corner him to find out what was going on, what, if anything, had happened.
“Something must have happened,” his father had said, “We couldn’t get him to shut up when he was younger…”
The night when they decided to confront him, both now staying up, he never came home. They were worried but not alarmed, until two days became three. They involved the police and when they couldn’t find out anything, they became frantic. After three months of police and private detectives turning up nothing, of friends trying to convince them to start funeral arrangements, they finally resigned themselves to the fact the he was, indeed, dead, he had sent them a letter.
It was dismissed as a bill or another sweepstakes letter because of their address being typed on it and that the postage was a prepaid marking in the upper right hand corner. The day after its arrival, his father had opened it and then knew, before unfolding the letter within, by just touching its edges, it was from their son. He called his wife and both slowly read the letter, relieved and anguished over each and every word, so much so, that it haunted the rest of their lives.
It read:
how to explain the lack of any
explanation?
a tired tongue will speak of its condition. this
is a struggle
for words that look
very
uncomfortable and misplaced.
but this is not
or ever
about a tired tongue. the whole system is dead.
the throat the tongue the ability
the concept of retelling anything.
it is like asking a corpse,hey what’s it like?
Enough,
I said to myself and
Nothing came out after it.
Nothing
CAN
be said
by nothing said worth saying.
it all came to its end and
after the end you can never
go back and feel
as if it hasn’t been done before.
words
just came across to nowhere
and then
stopped bothering to. to touch
constantly this inability,
everything comes off
even the skin blisters. an imposed silence
that never
was a self-imposed condition but one that
imposed itself
making more much sense than speaking to make sense
of anything at all, out of the senses. much more
can be said of this but I limited the amount
left to say
to you, to leave something
in case of
Emergency,
and that has its own when and where and if.
I am alive
do not worry. from here on, for all intents
and purposes
I have said all that has been
left to say, to you.
,me.
Since his letter, his parents have spoken less and less but their marriage never suffered, nor their friendships. They simply became more direct and to the point, not ever completely silent, but spoke when they had something worth noting and did more, as opposed to talking about doing anything. Oddly, life became richer, fuller, more honest and simpler. This was not why they spoke less however. They wanted to, somehow, keep in touch with their son, by being silent, wherever he was, to imagine his separation and quiet and by this imagination, have someplace for him to come home to, without having to say a word.

fractions

Two fractions of one thing equal broken parts strung together by a hairline of a fracture and if fractions are held together by fractures where can we find ourselves in each other whole?

there were many steps around

There were many steps around his fingers, round and twisted distortions of feathers. The distinguishing mark of his vein seemed blue and realistic, as if the sun had set vineyards we were watching. He said, “There were many distinguishing features of our jawbones.” A corrupted tree was the sign of a new intention. And we were clever; all we had was sawbones, or bones that were sawed, it was hard to tell with racks of pain. She tried mangling her hair again, a sculpture of divine proportions and she fucked anyone who could afford it. I hated the incompetence on my part, I didn’t take up the rope and strangle all politicians. It was an impasse and the blades were drawn onto sand. She said she liked it, especially when my hands were a warped conception: as long as we weren’t conceiving.

to think it was over (vampire)

She held me tightly and as she gripped and stroked me to point of cumming, I felt her fangs pierce my neck. I came and went. I came and my blood went, both into her and onto her until I was spent and dead. And to think that was the end of it.

he had been bleeding

He had been bleeding for a number of days now and it was beginning to worry him. What troubled him was that he couldn’t pin point it’s source, just a thin puddle everywhere he went, usually left at the bottom of whatever seat he was sitting in, or around the soles of his feet. No one else seem to mind, occasionally someone would point out to him that he was bleeding, and embarrassingly, he’d nod his head and mutter, ‘I know, i’m sorry..’